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[Engineering Feature]
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High-Definition Radio: It's The New Wave


With the technology and a standard already in place, high-definition radio needs the hardware to catch up... and maybe some public relations.

Louis E. Frenzel  |   ED Online ID #12194  |   March 30, 2006

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The crowded radio airwaves are crackling. Local AM and FM stations remain a staple among all age groups, whether you're tuned in while stuck in morning traffic or you've got the head-phones on during an evening jog. The Sirius and XM satellite radio business also continues to soar—it now totals just over 10 million subscribers. Internet radio plugs along, though few have tried it. And aren't podcasts just another form of radio?

Now you can add another radio technology to the mix. HD (high-definition) Radio, a digital terrestrial broadcast radio service available in the U.S., has been in development for years with the requisite growing pains. But with hundreds of HD Radio stations now broadcasting throughout the U.S., the usual chicken and egg problem didn't occur.

With its free high-clarity programming, you'd think consumers would be clamoring for HD Radio. But there's been a long wait for the radios themselves, which are finally arriving. Even still, few consumers even know it exists. Like the satellite radio industry, HD Radio will need time to get recognized and adopted.

SO, WHAT EXACTLY IS HD RADIO?
HD Radio is a digital radio technology, but it differs from satellite radio. While satellite radio is received directly from satellites operating in the 2.3-GHz range, HD Radio operates on the same frequencies currently assigned to existing AM and FM stations.

Using orthogonal frequency-division multiplexing (OFDM) digital technology, HD Radio puts the new digital signals on either side of the existing AM and FM sidebands. On the AM bands (530 to 1705 kHz), the usual mode is to simulcast—that is, transmit the same programming in both analog and digital formats. Older radios ignore the digital content, while digital radios receive the digital signals.

Simulcast is the initial mode of operation on the FM bands (88 to 108 MHz) as well. An HD Radio will pick up the regular analog signal and the separate digital signals. FM HD Radio stations also have multicast capability. They can divide up their digital OFDM carriers and create as many as eight additional channels of broadcasting.

In essence, you get multiple additional stations at minimum cost. Moreover, multiple programs can be provided, just like satellite radio. Amazingly, no new spectrum is needed. This could potentially be a new source of ad revenue for a station, though initial multicasts will be ad-free. The additional content should attract new listeners with more focused music and talk venues.

HD Radio brings digital's benefits to broadcast radio. The high-definition nomenclature means that the audio frequency response is far greater than the 3.5- to 5-kHz bandwidth of typical AM radio and the 15-kHz bandwidth of FM. With improved frequency response, AM HD Radio now sounds more like FM, and FM radio has nearly CD quality.

Digital techniques significantly reduce noise and mitigate fading from multipath, as well as other effects usually experienced in a car radio. Overall quality is far better than that provided by current stations. And the cherry on the top is that all of these features are free. You just have to buy a radio.

HOW IT WORKS
The real innovation behind HD Radio is its ability to transmit the additional digital signals in the same spectrum now allocated to analog signals. This is unlike the digital radio that has been available for many years in Europe, Canada, Asia, and most other parts of the world.

Known as Digital Audio Broadcasting (DAB), this system uses separate spectrum in the 174- to 240-MHz VHF range and in the 1450- to 1490-MHz range. Such spectrum isn't available in the U.S. One company, iBiquity Digital Corp., developed HD Radio to combat the U.S. spectrum problem, though.

Originally known as in-band on-channel (IBOC), iBiquity's system was developed in 1991 and was officially blessed by the Federal Communications Commission in 2002. It's taken years for the company to create—in conjunction with broadcast equipment manufacturers—the transmitters and encourage the development of receivers.

We've now reached critical mass. Over 600 U.S. stations broadcast in HD format. Aftermarket car radios are available from Kenwood, Panasonic, Sharp, and a few other companies, and tabletop radios for home use are emerging. Some high-end stereo receivers come with HD Radio capability. Not to be outdone, car manufacturers—led by BMW— are beginning to incorporate HD Radio in their standard offerings.

Figure 1 illustrates the HD Radio concept. There are two basic modes of operation: hybrid and full digital. Hybrid operation is when both analog and digital information are transmitted simultaneously. Most broadcasts, at least initially, will be simulcast with the same content going out over both the analog and digital parts of the signal. This ensures full compatibility with older analog radios and the newer HD models. Eventually, HD Radio will go fully digital.

Digital content primarily consists of music or talk programming. But the system can also transmit other digital info, such as station identification, the song and artist being played, and the name of the program.

Most stations will offer a digital programming guide. In addition, each station can transmit other digital data that may be helpful to the local community, such as weather or traffic info, and potentially photos and video. This information is automatically displayed in a scrolling format on the receiver LCD display.

How does the system work? First, the audio content is digitized and then compressed, according to iBiquity's HDC codec, to reduce the overall bit rate and required transmission bandwidth. Next, the signal is multiplexed with the other digital data to be transmitted.

The composite signal goes through additional coding, including scrambling, forward-error-correction (FEC) coding, and interleaving. The scrambling randomizes or "whitens" the data to prevent long strings of 0s or 1s from occurring. The FEC coding, namely Viterbi punctured convolutional encoding, increases the robustness of the signal in the presence of noise and fading. The interleaving provides both time and frequency diversity that also help improve reception in loss-of-signal conditions.




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    Reader Comments

    FYI.. the HD in HD Radio DOESN'T stand for high definition. It stands for Hybred Digital which is true regardless of quality

    Anonymous -July 09, 2007

    “Sirius, XM, and HD: Consumer interest reality check”

    “While interest in satellite radio is diminishing, interest in HD shows no signs of a pulse.”

    http://www.hear2.com/2007/02/sirius_xm_and_h.html

    "Is Pay-for-Play HD Content on Horizon?"

    http://rwonline.com/pages/s.0049/t.4028.html

    "HD Radio Effort Undermined by Weak Tuners in Expensive Radios"

    http://www.mp3newswire.net/stories/7002/hd-radio2.html

    “HD Radio on the Offense”

    “But after an investigation of HD Radio units, the stations playing HD, and the company that owns the technology; and some interviews with the wonks in DC, it looks like HD Radio is a high-level corporate scam, a huge carny shill.”

    http://www.eastbayexpress.com/2007-03-07/music/hd-radio-on-the-offense

    "The FCC Tunes Into HD Radio--And May Turn Off Distant AM"

    http://blog.washingtonpost.com/fasterforward/2007/03/the_fcc_greenlights_hd_radio_n.html

    “RW Opinion: Rethinking AM’s future”

    “Making AM-HD work well as a long-term investment is seen as an expensive and risky challenge for most stations and their owners. There is the significant downside of potential new interference to some of their own AM analog listeners as well as listeners of adjacent-channel stations.”

    http://www.rwonline.com/pages/s.0044/t.557.html

    The FCC has just given away our free airwaves to a few corporate thugs, including iBiquity Digital Corporation. Especially on AM, HD/IBOC causes adjacent-channel interference, which I have confirmed listening to WTWP 1500 AM-HD in Wash., D.C.- the HD/IBOC digital sidebands are over-powering on 1490 and 1510 and would clobber any existing stations on those frequencies. Few HD radios have been sold, as consumers have not bought into this farce. This whole setup is just to the advantage of the HD Radio Alliance, as they own most of the 1,200 stations broadcasting in HD - the small mom-and-pop stations have lost coverage and will probably disappear. This FCC sole-source, non-competitive contract award to iBiquity is totally outrageous.

    Anonymous -April 11, 2007

    I have had a 27 year career as a broadcast program director and engineer, mostly of classical music stations that featured superb audio quality. The reason that I *no longer listen to FM radio* is because of multipath. Our American FM stereo system, adapted all over the world, is a defective process using a noisy, interference prone amplitude modulated "difference" subcarrier. It was a bad decision in 1961, when it was approved by the FCC; but it was compatible with existing equipment. I tried my best as an engineer -- and a developer of broadcast transmission and processing gear -- to cope with its limits. I retired from the business in 1991 and was GLAD to be out of it. Digital audio via compact disks was SO MUCH BETTER that I never looked back! I tune in the FM bands, about once a year, just to check. They have become progressively worse, with heavy processing and clipping distortion, to the point of being pure noise and hash, and interference from too many stations. Pitiful!

    IBOC has not helped this situation one bit, if one does NOT have a digital radio. It has made AM radio INFINITELY WORSE. The digital subcarriers bleed all over the now-duller frequency spectrum of the analogue audio signal, causing a hiss or even a gurgling sound that almost totally obliterates the intelligibility. Recently San Francisco's station KNEW has added some new "feature" to their digital transmission that results in making the station unlistenable at all on MOST of my radios. I have given up listening to the station, which is surely not what the management and program directors intend me to do. I can only assume that they are so ignorant of what the result is, in the field away from their studios and in the local environment of their 5 and 2 mv signal contours, that they have no clue that what they are doing to their OWN signal is, in effect, to "jam" it. I might guess that 10, 20, or perhaps even *50* listeners in the bay area are able to hear the improved digital signal...but everybody else, with standard AM radios, hears a worse signal. Is this progress?

    So, what has happened is a close parallel to FM multiplex stereo. A bad, compromised "compatible" system has been shoehorned into the available RF spectrum. Very little testing has been done -- and my guess is that most of what HAS been done to test the system is very biased -- and the regulators just "roll over" and accept the blandishments of the supporters of the scheme.

    Early FM multiplex stereo had TERRIBLE audio problems. Not only was multipath now a much worse problem than in the "pure mono" FM days, but also the intrinsic signal to noise ratio was degraded; clean reception area vastly reduced; and even listeners with the BEST equipment suffered from constant problems of audio distortion products due to the lousy, primitive, underdeveloped stereo generators of 1961-2 vintage (including severe problems of intermodulation, transient distortion and overshoot, and aliasing products: not solved until FM multiplex had existed for another 15 years, largely by my friend and associate Bob Orban.)

    The same thing will surely happen with IBOC. I am merely experiencing the repetition of history. A good, solid, mature broadcast system -- double sideband amplitude modulation, in mono -- has been wrecked by adding to it what conventional receivers perceive as a spurious interference product. It will be MANY years before all of this is sorted out. Meanwhile, the shrinking share of market of marginal AM stations will simply drive them into greater loss and unprofitability. But the makers of fancy new digital gear will LOVE it, even if no one listens! Once they sell the first generation of the (barely working, primitive) system, they will start upgrading, improving, and perfecting what will become the next generation...so on, so forth.

    I have a question to everyone involved in this absurd farce. What happens if a certain threshold of pain is reached in the minds of AM radio listeners, and EVERYBODY gives up listening?

    Is this really the AGENDA?

    Steve Waldee retired AM, FM broadcaster San Jose, CA.

    Steve Waldee -September 04, 2006   (Article Rating: )
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