[Embedded in Electronic Design]
The Sights, Sounds, And Sensory Overload Of CES
William Wong
ED Online ID #18088
February 14, 2008
Copyright © 2006 Penton Media, Inc., All rights reserved. Printing of this document is for personal use only.
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If you went to this year’s International
Consumer Electronics Show (CES)
in Las Vegas like I did, you probably
were overloaded from its sights and
sounds. I’m still trying to catch up, categorize,
and comprehend everything I
saw there. You can find a fraction of what
I ran into in my EiED Online column,
with more details and images than I can
list here, at www.electronicdesign.com.
A number of products stood out, like
Bug Labs’ BUGbase (see “Proto Heaven,”
right) and Samsung’s SyncMaster
2263DX (see “Seeing Double,” right).
Gamers were hot on Texas Instruments’
DualView technology, which highlighted
TI’s HDTV DLP projection displays.
A pair of video sources plugs into the
system, which displays each source in
alternate frames.
DualView is a bit disconcerting for
regular viewers. But put on a pair of the
DualView glasses, and you see one solid
HDTV image. It’s definitely better than
playing a split-screen game and effectively
prevents one player from seeing another’s
screen, even though they are on the same
display. This is the same technology used
to present 3D images, except in that case,
each eye sees every other frame.
This technology could provide some
advantages for group viewing of video
from different but related sources. For
example, an unmanned aerial vehicle
might display a pilot’s view along with a
downward view, so individuals can switch
from one to the other by simply selecting
the source enabled by the glasses.
Plenty of other presentations took
place behind the scenes at CES, too. At
Analog Devices’ suite, Fishman showed
off its Ellipse Aura, which is based on the
Blackfin digital signal controller (see the
figure). This preamp fits inside an acoustic
guitar’s sound hole and connects to
an undersaddle pickup. It translates the
sound from the pickup so the result is
comparable to a sound environment
selected by the user.
Fishman took guitars and recorded
them via microphones in sound studios,
auditoriums, and other environments.
The company then determined the difference
between the audio stream coming
from the undersaddle pickup and the
resulting sound in the desired space. The
system can complete the same transformation
for the same high-quality sound.
Users must download the proper configuration
to the unit, but Fishman has all
the major brands covered.
Meanwhile, the show featured the usual
one-upmanship, with hits like Panasonic’s
150-in. plasma display and the
horde of organic LED (OLED) HDTVs
from the likes of Sony and Samsung.
There were even a couple of 3D LCDs
that don’t require glasses, like LG’s, which
employs a lenticular lens filter.
Fishman • www.fishman.com
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